![]() ![]() On the recto of the introductory card for the set is a key to the genres of event scores or instructions found in Grapefruit: painting (40 cards), poetry (8 ), music (52), event (42), object (8). Ono herself was not a pupil of Cage, but her husband at that time, Toschi Ichiyanagi, was. The unusual format (single event scores, each on a separate card) "which became a crucial precursor to conceptualism, emerged from the event scores by artists attending John Cage's Experimental Music Composition classes at the New School" (). In the "Biography/Statement" issued by Ono in 1966, she writes in the chronology, "late adolescence: gave birth to a grapefruit, collected snails, clouds, garbage cans, etc." The book itself is an exotic sour/sweet hybrid, combining literature with painting, music, and performance. Ono's childhood and adolescence were divided between Japan and the United States and she came to see herself as a hybrid, a combination of Japanese and American influences. The book's mysterious title comes from the fact that the grapefruit is a hybrid derived from the sweet orange and the pomelo, developed in Barbados in the 18th century. The book was released on 4 July 1964, selling for $3 to subscribers and $6 to others. The edition was limited to 500 numbered, signed copies. Ono moved back to Japan in 1962 and established her own imprint, Wunternaum Press, for the purpose of publishing Grapefruit. Money for the project never materialized. Yoko." Although Ono never formally joined the Fluxus movement, she was close to Maciunas, who proposed to publish her collected scores in New York in the early 1960's. Since there is no country without a morning, you can use it anywhere you go. Ono has typed a note to the dedicatee, signed in ink, on the card: "Dear George, Please use this piece whenever and wherever you need money for medicine. One of the scores, "Morning Piece" (spring 1964) is dedicated to Maciunas. This collection of cards, which constitute the typescript (with manuscript additions) of a portion of Grapefruit, was given by Ono to Fluxus founder George Maciunas. Original "event scores" which comprise a portion of the first edition of Yoko Ono's Grapefruit, a cornerstone of conceptuial and performance art. "Notes on Yoko Ono, Grapefruit, Original Manuscript, 1964" at. Ulin, "Happy 80th Birthday, Yoko Ono" (18 February 2013) and "Yoko Ono's Acorn Delivers Its Message Concisely" (25 July 2012), both in the Los Angeles Times Anon. Half-a-Wind Show: A Retrospective (2013), pp. Helen Brown, "Yoko Ono Interview: 'Who's the best? Me,'" Daily Telegraph, 2 January 2013 Lisa Carver, Reaching Out with No Hands: Reconsidering Yoko Ono, p. George Maciunas (given to him by Ono, typed and signed presentation inscription) ![]() She also writes on this card, 'There are more pieces of this period that I can send you by next mail which I would like to include in the book.' Ono specifies that the present draft consists of 150 event scores. ![]() It is, however, a draft of the work, and includes a typed and annotated card in which Ms. Sales Room Announcement: The present typescript does not correspond in completeness to the 1964 limited first edition of Grapefruit. 146 x 105 mm 6 of the cards somewhat smaller), typescript on rectos only, except for one card with text on recto and verso, two of the smaller cards with printed Japanese text only, perforated edge at upper margins, 1952–1964 small piece torn away at perforated edge of introductory card, which also has small stain in text and light pencil notations at lower margin, "10 Strip-tease pieces" card with light browning at upper margin (not affecting text), very light browning at perforated edge of a few cards. Original typescript with manuscript additions in ink, in English, signed in ink ("Yoko") and with each piece dated in ink, on 151 white Japanese "Apollo" postcards (5 3/4 x 4 1/8 in.
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